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A small film about some of the big things in life. When is the time to settle, have kids and a partner for life? Does that commitment means you will never be able to dance or watch Game Of Thrones all night long? In this vibrant visual poem we observe a young man and woman and hear them discuss these universal reflections. They don’t have any final answers - just a lot ‘ifs’. The frustrating beauty of life. --- Film of the month by Niccolò Montanari (Founder of Berlin Fashion Film Festival) at NotJustALabel.com: "A short film questioning the meaning of life, while appreciating and reflecting on its beauty." --- Written & directed // Jeppe Kolstrup Starring // Eliott Lewis and Nathalie Beaulieu DoP // Chris Lew Format // Kodak 35mm Producer // Surhay Nart Kilic Editor // Ryan Løkke Color // Lasse Marcussen/Cameo Sound // Lars Bo / Audio Lounge Music // Rasmus Yde PR // Sascha Kirk Post producer + artwork // Camilla Søholt Production company // Bad Land


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因为暗夜里的那片星空而开始摄影,也因为摄影走上了这条追逐光影,记录星辰的道路! 繁星点点,星河流淌。 星空之下,感受那古老的气息与永恒的美丽!

OVATION是就读于美国RINGLING COLLEGE OF ART AND DESIGN的可倩的毕业创作。这部作品讲述了一个质疑一切的熊孩子误入一间诡异的剧场,被一个邪恶魔法师摄取了魂魄的故事。这部作品有着动人心弦的剧情设计和成熟的技术表现,和蒂姆伯顿的作品也有几分神似。佳作的诞生是和作者本人的努力以及成熟的专业教育分不开的,我们请可倩介绍了她的求学和创作过程。

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A fisherman down to the DNA, Carter Andrews has no choice but to go out there and catch everything that swims. Described by a friend as a “wild man”, he does have a certain intensity about him. But you don’t have only anglers as friends unless you’re still lit up with raw joy every time a fish bites.


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Photographer Joshua Holko: "The product of more than two years of planning Ghosts of the Arctic was filmed exclusively in the Arctic archipelago of Svalbard in the depths of Winter. It is my hope that the film will impart some of the haunting beauty of this incredibly precious and endangered polar wilderness; as well as give you some insight into my life as a Polar photographer. I hope you will take six minutes out of your day, set your display to full screen, turn off the lights, crank up the volume, and allow Ghosts of the Arctic to transport you away to one of the world's most spectacular polar regions; in it's rarely seen winter veil. Please Enjoy. My most sincere thanks to both Abraham Joffe and Dom West from Untitled Film Works who worked tirelessly for a week straight putting in eighteen hour days in freezing temperatures to shoot and produce this film. My thanks and gratitude also to my friend Frede Lamo who likewise worked tirelessly with good humour and whose assistance with expedition logistics simply made the impossible, possible. Without the dedication of this team this film would simply not have been possible. It would be remiss of me not to also provide a little insight into what it was like to make this short film. During the shoot we experienced temperatures that were never warmer than -20ºC and frequently plummeted down as low as -30ºC + wind chill factor. We were exposed to the cold and elements for up to sixteen straight hours a day. Many days we drove over two hundred kilometres on our snow mobiles in very difficult terrain and conditions as we searched for wildlife. The bumpy terrain left us battered, bruised and sore. We experienced three cases of first and second degree frostbite during the filming as well as a lot of failed equipment and equipment difficulties as a result of the extreme cold. We had batteries that would loose their charge in mere minutes, drones that wouldn't power up and fly, cameras that wouldn't turn on, steady-cams that would not remain steady, HDMI cables that became brittle and snapped in the cold, frozen audio equipment, broken LCD mounts, broken down snow mobiles and more. We existed on a diet of freeze dried cod and pasta washed down with tepid coffee and the occasional frozen mars bar. It is hard to put the experience into words, but just the simple act of removing ones gloves to change a memory card in these sort of temperatures when you are exhausted comes with a serious risk of frostbite. In my own case, I removed my face covering for one three minute take and suffered frostbite (from which I have not fully recovered) across the entire right hand side of my face. And whilst not all of this will come across in the film, I think I can safely say it was without any shadow of a doubt the toughest film shoot any of us have done. For the technically inclined: Ghosts of the Arctic was shot in the 2.35:1 cinema ratio in 6K+4K resolution. Absolutely no wildlife was interfered with in any way shape or form during the filming and everything you see is totally natural behaviour.


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A short documentary brought to you by Poland Spring. After a brutal mugging left him with traumatic brain injury, John Pierre decided to ‘suit up’ in a neon cape and lightning bolt socks, emerging as the New York running community’s very own superhero. Special thanks to Achilles International (www.achillesinternational.org) Director: Charles Frank Client: Poland Spring Agency: Vox Creative Head of Production: Greg T. Gordon Creative Director: Cristina Cerullo Campaign Producer: Alexandria Fontanez Production Company: Voyager Executive Producer: Andrew Hutcheson Head of Production: David Brickel Producer: Alex Liebman Cinematographer: Taylor Mcintosh Editors: Nico Bovat & Charles Frank Sound Mixer: Pablo Diez Casajuana PA: Dom Del Russo PA: Ozum Demirel Music: Pinc Louds (www.pinclouds.bandcamp.com) & Chris Zabriskie (www.chriszabriskie.com) Audio Post: One Thousand Birds Audio Post Producer: Kira MacKnight Sound Designer: Calvin Pia
访谈 | 借光记


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Probably the world's first cathedral flow motion. Something of a passion project for me getting to shoot my home town and capture it in it's best light. Constructed in 1096 Norwich Cathedral dominates the Norwich skyline to this day. Was super cool getting to explore all the secret areas whilst working on the video. Facebook facebook.com/NorwichCathedral facebook.com/RobWhitworthPhotography facebook.com/norwichcityofstories/ Twitter @Nrw_Cathedral @kwhi02 @VisitNorwich Instagram instagram.com/norwich_cathedral instagram.com/robwhitworthphotography instagram.com/norwich_cityofstories
访谈 | 蝉噪林愈静之动画教育


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"You don't know what you don't know, and it might be better than what you do..." Another one in our series of six city portraits for Rapha. Executive Producer: Dalia Burde Creative Director: Amani King Director/DP: Spencer MacDonald Editor: Cooper Kenword Production Manager: Bijan Rafie-Tari AC: Troy Dickerson Production Co: Avocados and Coconuts Art Director: David Evans Sound Mix: Chris Konovaliv @ Audiolux Color: AJ Molle Client: Rapha
专稿 | 这不是一篇《大圣归来》的影评


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A huge thanks to everyone who has stepped into this story with me and my family. I'm forever grateful. -Jon http://projectalive.org
访谈 | 郑雅文和她带来的温暖“Little Favour”

很久之前听说《再见雨天》的作者郑雅文和同样毕业于传媒大学的李夏共同完成了一部简短温暖的小作品《Little Favour》,后来有幸观看到完整作品,特别有意思,他们运用六个不同的技术手段呈现了一部完整的故事。由于投奖一直没有公布,现在这部作品正式发布了,我们也对导演郑雅文进行了一次时隔三年的再度采访。

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First film in the "Western Theatrical Canon" series. Here we have my textual "object-ification" of sections from Hamlet by William Shakespeare. Music: Trotz dem alten Drachen by Johann Sebastian Bach.


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