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"In 1995, scientists pointed the Hubble Telescope at an area of the sky near the Big Dipper. The location was apparently empty, and the whole endeavor was risky – what, if anything, was going to show up? But what came back was nothing short of spectacular: an image of over 1,500 galaxies glimmering in a tiny sliver of the universe. " Alex Hofeldt helps us understand the scale of this image. A two-minute version of a 4-minute animated lesson for TED-Ed about Hubble Deep Field Images. Please watch the full lesson on http://ed.ted.com/lessons/how-small-are-we-in-the-scale-of-the-universe-alex-hofeldt More art works are on https://www.yukaidu.com/universe/ CREDITS Educator Alex Hofeldt Director Yukai Du Production Company Bliink.tv Producer Tim Coates Script Editor Mia Nacamulli Animator Yukai Du, Tom Matuszewski Composer Tim Arndt (Near The Parenthesis)


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Produced by Titmouse Inc. Directed by Gary Ye

OVATION是就读于美国RINGLING COLLEGE OF ART AND DESIGN的可倩的毕业创作。这部作品讲述了一个质疑一切的熊孩子误入一间诡异的剧场,被一个邪恶魔法师摄取了魂魄的故事。这部作品有着动人心弦的剧情设计和成熟的技术表现,和蒂姆伯顿的作品也有几分神似。佳作的诞生是和作者本人的努力以及成熟的专业教育分不开的,我们请可倩介绍了她的求学和创作过程。

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A documentary exploring the quiet, empty world of the last subway train of the night, and the stories of the people riding it. Best Canadian Film - Take 21 Film Festival, 2016 Finalist - LA Cinefest, 2016 Official Selection - BFI Future Film Festival, 2017, Milton Film Festival, 2017, GLARE Arts Festival, 2017, Conway International Film Festival, 2016, Highway 61 Film Festival, 2016, Student International Film Festival, 2016, Filmstock Film Festival, 2016


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You can view each looping gif here: http://www.gasta.org/portfolio/gastaloops/ Music: IISO / Out Label: http://www.lavaligetta.com/ Browsing on internet I found a few people that are keeping themselves busy with personal projects on a daily basis. Every day they're able to post something online. Looking at them I always thought I couldn't make it: too busy with my daily job in the studio, too busy at home with my family. But I tried. And I managed to do it. I just had to work against the clock. GastaLoops is a 100 day design project with some "auto inflicted rules", strong limitations that are able to fuel the creativity. The gifs had to be: 50 frames long with 3 flat colours (ivory, coral, black) looping Some of the GastaLoops I have done are better than others. Some are technically really simple. Some are boring. But I am really happy that I manage to keep up for 100 days, with no missing days. I am now actively trying to do an exhibition with my loops. I think it could be visually interesting to see all of them looping together in a gallery. For the moment, I put all the loops together in this video, enjoy! https://dribbble.com/gastanuke www.gasta.org
访谈 | 借光记


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In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question. Want to know more about The Animation Workshop? Website: http://www.animwork.dk/en/ Facebook: https://www.facebook.com/pages/The-Animation-Workshop-Official-Page/10452541819 Tumblr: http://theanimationworkshop.tumblr.com/ Twitter: https://twitter.com/TAW_Denmark Instagram: https://www.instagram.com/animationworkshop/ LESS THAN HUMAN was made by a team of 3rd year Character Animation & CG Art students at The Animation Workshop in Viborg, Denmark. Check out the individual students blogs (links below) to learn more about the talent behind the film! CREDITS Steffen Bang Lindholm Director/Editor/Animator – http://steffenlindholm.com Anna Eckhoff Ohrt Nissen CG Generalist/Production Manager/Rigger – www.annanissen.dk Ditte Marie Ludvigsen Art Director/Texturing- & Lighting Artist – http://www.dittemarieludvigsen.com/ Lasse Steinbeck Technical Director/Pipeline TD & Rigger – http://lassesteinbeck.com Matilde Søltoft Animation Lead/Animator – http://matildesoltoft.tumblr.com Morten Vestbjerg Bøgelund Lassen CG Generalist/Modeller/Concept Sculptor – http://fnuk.strikingly.com/ Julie Rebecca Billeskov Astrup Animator/Assistant Production Manager – www.julieastrup.dk Ida Marie Søndergaard Animator/Storyboard Artist – http://idasoendergaard.com/ Additional animation: Pedro Ivo Carvalho de Araujo Silva Lasse Rützou Bruntse Sara Jespersen Holm Camilla Smidt Sidonie Vidal Antoine J.L.L. Lefevre Dorte Flensted Jensen Story Consultants: Line Hoej Hoestrup Mathilde Garreau Music composed by Anders “Ormen” Christophersen
访谈 | 蝉噪林愈静之动画教育


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Today‘s men are forced to represent an image that is caught between showing off untouchable masculinity, intellectual overtaxing and physical insecurities. The multitude of contradictory expectations also changes the emotional foundation of relationships - when social and cultural convictions collide with feelings and lust. „It‘s been a long time“ wants to illustrate such an interpersonal story without valuing it. We want to give an insight in which the pictures remain ambivalent. We want to sketch out a conflict between two lovers, who fight each other on different frequencies. Starring: John Schwenzer, Julia Jasinski, Aline Schmidt Director: Esteban & Manuel Iljitsch Director of Photography: Johan Hannu Producer: Anna Deckers Script: Manuel Iljitsch Styling: Lorena Maza Hair&Make Up: Tony Lundström Set Design: Corinna Studier Steadicam: Christoph Iwanow 1st AC: Yuri Salvador Gaffer: Roland Knitter Best Boy: Tarek el-Barbari Assistant: Axel (Neffe) Schrepel Sound: Christian Bornkessel DIT: Arjuna Festbaum Executive Producer: Ada Zuiderhoek Production Company: Soup Film Post Production: Chimney Editor: Chris Zimmermann Sounddesign: Julian Jankowski Colorist: Florian Stärk Flame Artist: Sam Hencher Title Design: Alimonie / Andreas Kuschner "After you've gone" Edit: David Kraft / The Crate
专稿 | 这不是一篇《大圣归来》的影评


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So this is how its done! The A -Z of creating a project with yours truly and my talented band of magicians. I wanted to show all the different steps involved in the creation process while adding an explosion of colour and wackiness to it all!  Credits: Director and Visual Concept - Salman Sajun Art Director - Sarah Ouellet Lead Stop-Motion Animator - Anna Berezowsky Paper Props Specialist - Pauline Loctin Stop-Motion Animator - Laura Stewart Stop-Motion Animator / Art Department - Raquel Sancinetti Carpenter / Art Department - Filipp Goussev Editor - Simon Huang Sound Designer - Mattia Cellotto Motion Control Equipment - Kessler Crane Location - Nomad Nation
访谈 | 郑雅文和她带来的温暖“Little Favour”

很久之前听说《再见雨天》的作者郑雅文和同样毕业于传媒大学的李夏共同完成了一部简短温暖的小作品《Little Favour》,后来有幸观看到完整作品,特别有意思,他们运用六个不同的技术手段呈现了一部完整的故事。由于投奖一直没有公布,现在这部作品正式发布了,我们也对导演郑雅文进行了一次时隔三年的再度采访。

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2016年的 延时合集,开始尝试拍延时的一年,没有去太多的地方,主要集中在北京及周边,但也在不断尝试和学习中,记录下了身边的一些美丽时刻。


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