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5,709
毕业季 2015@RINGLING COLLEGE | OVATION

OVATION是就读于美国RINGLING COLLEGE OF ART AND DESIGN的可倩的毕业创作。这部作品讲述了一个质疑一切的熊孩子误入一间诡异的剧场,被一个邪恶魔法师摄取了魂魄的故事。这部作品有着动人心弦的剧情设计和成熟的技术表现,和蒂姆伯顿的作品也有几分神似。佳作的诞生是和作者本人的努力以及成熟的专业教育分不开的,我们请可倩介绍了她的求学和创作过程。

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"In 1995, scientists pointed the Hubble Telescope at an area of the sky near the Big Dipper. The location was apparently empty, and the whole endeavor was risky – what, if anything, was going to show up? But what came back was nothing short of spectacular: an image of over 1,500 galaxies glimmering in a tiny sliver of the universe. " Alex Hofeldt helps us understand the scale of this image. A two-minute version of a 4-minute animated lesson for TED-Ed about Hubble Deep Field Images. Please watch the full lesson on http://ed.ted.com/lessons/how-small-are-we-in-the-scale-of-the-universe-alex-hofeldt More art works are on https://www.yukaidu.com/universe/ CREDITS Educator Alex Hofeldt Director Yukai Du Production Company Bliink.tv Producer Tim Coates Script Editor Mia Nacamulli Animator Yukai Du, Tom Matuszewski Composer Tim Arndt (Near The Parenthesis)
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访谈 | “Swap Meet”——互换场景的集体动画游戏

我们AT!于2012年开展了一个长期的创作活动叫做“冰糖葫芦儿”,这个活动形式就是将动画人聚在一起做动画,每个人做一小段,每段相对独立,整体又有着一定逻辑关系,最后将这一段段合成一体,形成一部完整的作品。

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Produced by Titmouse Inc. Directed by Gary Ye
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访谈 | 《美少女战士》重置版:如何组织250位动画人联手制作(转载)

所谓经典,一般来说是会被一代甚至几代人所喜爱的事物,它注定会被传播、传唱,我们所熟悉的开播于1992年的日本电视动画《美少女战士》就位列其中。随着日版《美少女战士》的重置播出,来自全球的粉丝们也对《美少女战士》也进行了爱的追忆,他们制作了一部名为《Moon Animate Make-Up!》的集体动画片,并且获得了120万的播放率!

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A documentary exploring the quiet, empty world of the last subway train of the night, and the stories of the people riding it. Best Canadian Film - Take 21 Film Festival, 2016 Finalist - LA Cinefest, 2016 Official Selection - BFI Future Film Festival, 2017, Milton Film Festival, 2017, GLARE Arts Festival, 2017, Conway International Film Festival, 2016, Highway 61 Film Festival, 2016, Student International Film Festival, 2016, Filmstock Film Festival, 2016
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全球创作人@美国 | Seth Boyden的奇思妙想再度降临→《Hoof It》

我们在年初采访了就读于加州艺术学院的Seth Boyden,一起欣赏了创意极佳的小作品《Abduckted》,那个时候我们感叹了作者的智慧。而在不久之后,这位Seth又带来了新作品,内容更加富有趣味和想象力!我们也再度联系到了作者,进行了一段十分简短的对话。
🙂

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两万多张照片素材,n个日夜,做出了这个成品,展现上海风光的壮丽
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全球创作人@美国 | Seth Boyden和他的机械小鸭子

前段时间看到一部动画作品,总长度一分零六秒,讲的是一个猎人在猎杀鸭子结果反被鸭子们抓获,画面处理简单,情节也不复杂,但却又十分到位,相对于我们熟识的传统动画学下来的一身本事,这部作品可谓“一反常态”。从反响上看,这部作品十分成功,入选了Vimeo的Staff Picks,当时我在微博随便发了一下,没有宣传都有很多人去转发,看来作者真的抓住了重点,在这个总在将作品复杂化的时候这样一部简约不简单的作品让人们眼前一亮,我们AT!也越发对这位作者感到好奇,于是在我们的好朋友宋思琪的帮助下,我们采访到了这位作者Seth Boyden。

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You can view each looping gif here: http://www.gasta.org/portfolio/gastaloops/ Music: IISO / Out Label: http://www.lavaligetta.com/ Browsing on internet I found a few people that are keeping themselves busy with personal projects on a daily basis. Every day they're able to post something online. Looking at them I always thought I couldn't make it: too busy with my daily job in the studio, too busy at home with my family. But I tried. And I managed to do it. I just had to work against the clock. GastaLoops is a 100 day design project with some "auto inflicted rules", strong limitations that are able to fuel the creativity. The gifs had to be: 50 frames long with 3 flat colours (ivory, coral, black) looping Some of the GastaLoops I have done are better than others. Some are technically really simple. Some are boring. But I am really happy that I manage to keep up for 100 days, with no missing days. I am now actively trying to do an exhibition with my loops. I think it could be visually interesting to see all of them looping together in a gallery. For the moment, I put all the loops together in this video, enjoy! https://dribbble.com/gastanuke www.gasta.org
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Oscar 2013 动画短片 | The Longest Daycare

如果你有足够的仔细,会注意到我们年初的奥斯卡专题缺了一个大家熟悉的角色,这个角色是黄色的哈哈,没错,就是那部辛普森主题短片:《The Longest Daycare》(托儿所的漫长日),前些天我们的特邀撰稿人mjmk发来了她撰写的专题赏,虽然都到了下半年,但我认为,好文章好片子不需要用时间衡量。好了,我就不多说了,一起来看mjmk的精彩解读吧。

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In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question. Want to know more about The Animation Workshop? Website: http://www.animwork.dk/en/ Facebook: https://www.facebook.com/pages/The-Animation-Workshop-Official-Page/10452541819 Tumblr: http://theanimationworkshop.tumblr.com/ Twitter: https://twitter.com/TAW_Denmark Instagram: https://www.instagram.com/animationworkshop/ LESS THAN HUMAN was made by a team of 3rd year Character Animation & CG Art students at The Animation Workshop in Viborg, Denmark. Check out the individual students blogs (links below) to learn more about the talent behind the film! CREDITS Steffen Bang Lindholm Director/Editor/Animator – http://steffenlindholm.com Anna Eckhoff Ohrt Nissen CG Generalist/Production Manager/Rigger – www.annanissen.dk Ditte Marie Ludvigsen Art Director/Texturing- & Lighting Artist – http://www.dittemarieludvigsen.com/ Lasse Steinbeck Technical Director/Pipeline TD & Rigger – http://lassesteinbeck.com Matilde Søltoft Animation Lead/Animator – http://matildesoltoft.tumblr.com Morten Vestbjerg Bøgelund Lassen CG Generalist/Modeller/Concept Sculptor – http://fnuk.strikingly.com/ Julie Rebecca Billeskov Astrup Animator/Assistant Production Manager – www.julieastrup.dk Ida Marie Søndergaard Animator/Storyboard Artist – http://idasoendergaard.com/ Additional animation: Pedro Ivo Carvalho de Araujo Silva Lasse Rützou Bruntse Sara Jespersen Holm Camilla Smidt Sidonie Vidal Antoine J.L.L. Lefevre Dorte Flensted Jensen Story Consultants: Line Hoej Hoestrup Mathilde Garreau Music composed by Anders “Ormen” Christophersen
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全球创作人@美国 | Impactist

毕业季火热进行中,国人优秀作品接连不断,虽不知大家毕业后还会不会继续动画的热爱,但我们暂且欣赏当下的精彩。当然,世界很大,毕业季再轰动也只限于一个地域一个时段,放眼全球呢,那优秀的作品可就更多咯,所以我们也打算接触下国际上那些优秀的创作人,看看外面的创作人对于创作都是怎样的态度。今天是第一回,来自美国的Impactist。

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Today‘s men are forced to represent an image that is caught between showing off untouchable masculinity, intellectual overtaxing and physical insecurities. The multitude of contradictory expectations also changes the emotional foundation of relationships - when social and cultural convictions collide with feelings and lust. „It‘s been a long time“ wants to illustrate such an interpersonal story without valuing it. We want to give an insight in which the pictures remain ambivalent. We want to sketch out a conflict between two lovers, who fight each other on different frequencies. Starring: John Schwenzer, Julia Jasinski, Aline Schmidt Director: Esteban & Manuel Iljitsch Director of Photography: Johan Hannu Producer: Anna Deckers Script: Manuel Iljitsch Styling: Lorena Maza Hair&Make Up: Tony Lundström Set Design: Corinna Studier Steadicam: Christoph Iwanow 1st AC: Yuri Salvador Gaffer: Roland Knitter Best Boy: Tarek el-Barbari Assistant: Axel (Neffe) Schrepel Sound: Christian Bornkessel DIT: Arjuna Festbaum Executive Producer: Ada Zuiderhoek Production Company: Soup Film Post Production: Chimney Editor: Chris Zimmermann Sounddesign: Julian Jankowski Colorist: Florian Stärk Flame Artist: Sam Hencher Title Design: Alimonie / Andreas Kuschner "After you've gone" Edit: David Kraft / The Crate
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创作人 | 扎克•斯坦因伯格

《黑客帝国》三部曲作为科幻电影的经典,自从上映以来就成为广大影迷心中的一座巨大标杆,作为这部电影的唯一剪辑师扎克•斯坦因伯格(Zach Staenberg)倒是显得低调很多,甚至在网上很难找到他的相关资料。作为一部电影的灵魂,剪辑的重要性不言而喻,让我们一起跟随下面这段采访,探寻《黑客帝国》享誉全球的秘密。相信这个篇文章会对将来的工作有所启示~

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So this is how its done! The A -Z of creating a project with yours truly and my talented band of magicians. I wanted to show all the different steps involved in the creation process while adding an explosion of colour and wackiness to it all!  Credits: Director and Visual Concept - Salman Sajun Art Director - Sarah Ouellet Lead Stop-Motion Animator - Anna Berezowsky Paper Props Specialist - Pauline Loctin Stop-Motion Animator - Laura Stewart Stop-Motion Animator / Art Department - Raquel Sancinetti Carpenter / Art Department - Filipp Goussev Editor - Simon Huang Sound Designer - Mattia Cellotto Motion Control Equipment - Kessler Crane Location - Nomad Nation
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Oscar 2013 动画短片 | Paperman
Oscar 2013 动画短片 | Paperman

陌生人及以后’的故事总离不开两个重点:空间的延伸感和连接的偶然性,Paperman在这两方面有闪光也有败笔。或许它采用的2D和3D交互技术比它本身更有重量。

奥斯卡的名声有时像一块点金石,将水银变成黄金,今年的oscar动画短片得主Paperman便是个生动的例子。

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2016年的 延时合集,开始尝试拍延时的一年,没有去太多的地方,主要集中在北京及周边,但也在不断尝试和学习中,记录下了身边的一些美丽时刻。
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创作人 | 沃尔特·默奇

当今世界最伟大的导演恐怕能举出一打,但最伟大的电影剪辑师只有一个,那就是沃尔特 · 默奇(Walter Murch )。一部上佳影片能让观众沉浸在故事、人物情感和命运之中,而完全看不见剪辑的痕迹,这是剪辑师的至上功夫,而剪辑,正是电影区别于摄影、戏剧、表演、文学,最终宣告自己作为独立的艺术形式存在的标志。相信这篇文章对于动画创作也能有所帮助。

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动画时刻


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